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History has a way of repeating itself. 1991 saw the release of Ninja Gaiden III: The Ancient Ship of Doom on the NES with new developer Masato Kato at the helm. After being the writer and graphic designer on the previous titles, he now sought to bring something new to the series. Kato wanted to share the notoriously difficult games with more players, feeling it needed to go into a new direction to be “a game a normal player can enjoy”. Fast forward more than twenty years and we’re at a time where the new Ninja Gaiden series is about to reach its third title as well, helmed by two designers who had previously also worked in the shadows. Fumihiko Yasuda, level designer of Ninja Gaiden II, and Yosuke Hayashi, programmer for Ninja Gaiden and director of the series’ Sigma remakes. However, with a great history comes a great shadow. The original Team Ninja had set the bar high with Ninja Gaiden Black and Ninja Gaiden II -there was a lot to live up to and with a mostly new team no less. Ninja Gaiden 3 would be their first real title where they could be free, without bounds, to make what they truly wanted. A new Ninja Gaiden. And joining them to write the game’s tale … none other than the aforementioned Masato Kato. Their goal? To take the series in a new direction. History has a way of repeating itself.

A question: how many games can you think of that were once so popular, it was installed on more computers than Microsoft Windows? Due to its success and subsequent impact, DOOMhas been analysed for nearly twenty-five years and counting. Each study aims to further unravel what made the 1993 title plus its expansion packs and sequel, tick. From its technical achievements, appreciation for speedrunning and modding to its level design – there’s plenty to cover. More than any single article can encompass. Instead of adding to this ongoing master thesis of DOOM, let’s turn it around and examine what lessons Action games can take from it, good and bad.

Dante Alighieri’s Inferno tells of one’s journey through Hell. In the poem the abyss is depicted as nine circles of torment located within the Earth, each layer in dedication to a sin: lust, gluttony, greed,…

It is the summer of 2004. The film Star Wars: Episode II – Attack of the Clones, by George Lucas and Jonathan Hales, has come and gone. Despite its mixed reaction, people now await the…

When giving a product form, one always envisions an audience in their mind’s eye. One that will later look at it with great desire. On rare occasions though, that desire isn’t from a single big audience but from various smaller groups. Fist of the North Star: Lost Paradise (Hokuto ga Gotoku, 北斗が如く) is one such title. Based on the manga from 1983 by artist Tetsuo Hara, writer Yoshiyuki “Buronson” Okamura and editor Nobuhiko “Mad Holy” Horie, The Fist of the North Star brand is a property that enjoys big popularity across the world, thanks in part to its highly detailed, gorey and powerful artwork, especially for a weekly comic. With a new game on the horizon, made by Ryu ga Gotoku Studios – known for the Yakuza a series – for such a famous franchise, people from numerous fan bases were bound to be interested. They are…

When a review begins by saying: “the game lacks combat-options or depth”, it is generally the first one nail in the coffin for action titles, while it often isn’t even the case. A mechanic like allowing the player to switch between weapons, abilities or even complete move-sets on the fly has to fit the vision of the game to be work. Thus it needs careful consideration. Games like Bayonetta offer a huge variety of weapon combinations to the player, while others like Killer is Dead only have a single weapon. One can assume the former is better but it goes much further than that.